#Cinesync not launching tv#

Is remote collaboration a vital part of your pipeline? We are truly an artist-driven facility after all, we founders are artists first and foremost. Our goal with ILP was to create a company where we ourselves would like to work-somewhere you have the support, tools, and infrastructure you need in order to thrive.

#Cinesync not launching tv#

Since then, we’ve had a consistent workflow from the TV industry as more and more projects come in every year. ILP completed its first television project five years ago, which was called Crossbones and was nominated for a VES Award. Global communication is a big part of the way we work. We have a talented team of roughly 100 people in our Stockholm office, 40% of which have joined us from abroad. Nowadays, ILP mostly completes long-form projects for TV and feature film.

That’s how Important Looking Pirates was created! Can you tell me a bit more about ILP? What are some of your company’s specialities? I learnt a lot during my time in London. Eventually, we wanted to establish a VFX company back home in Sweden but still compete with the big international studios. It was a very inspiring time, as the VFX industry was much more developed in London than in Sweden, with more feature film projects to take part in. I also worked on films like Batman Begins and Doom. After a few years, a colleague and I decided to move to London, around the time when the Harry Potter films were taking off. I went to graphic design school in Stockholm, then started doing some work in advertising. Tell me a little bit about how you got into the industry and where you’re at now?